Saturday 5th May - Opening Night, thanks to everyone who turned out for our most busiest exhibition opening ever. Thanks to all the artists and musicians.
Photography Jensen Wilder.
Saturday 5th May - Opening Night, thanks to everyone who turned out for our most busiest exhibition opening ever. Thanks to all the artists and musicians.
Photography Jensen Wilder.
Pre-Opening night of some of the artworks in Liverpool Art Now part II.
Liverpool Art Month Presents: Liverpool Art Now Part Two. 15 contemporary artists showcase their latest work for the first time at The Bohemia Space.
PV 5th May 7:30, exhibitions continues until 16th June.
Artworks from the LJMU Rituals show.
Photography: Jensen Wilder
The Bohemia Space is pleased to announce from John Moores fine art department: Rituals A Practice In Progress. Representing the exhibition are second year students Jacob Cordingly, Kayleigh Devlin, Katie Green, and Amy Walker.
Rituals A Practice In Progress, is a special exhibition that showcases the final works from the artist’s, as well as their notes, drawings, and writings about the process of there practice. Each of the four artists investigates their own routine act of advancing and maturing their own system of art. The exhibition space has been divided into two parts: The higher end of the space acts as the informative arena while the lower part, including downstairs in the basement, becomes the main focus of the exhibition space.
Open Call, for our Liverpool Art Now Part Two exhibition (May 2012).
Images from Julie Dodd’s exhibition.
Photogrpahy by Jensen Wilder.
Beneath The Surface by Julie Dodd at The Bohemia Space.
February 18th - March 24th 2012
Beneath The Surface
is inspired by human cell structures and explores different printing and construction techniques to represent cell production. Worked mainly in paper to demonstrate the fragility of life and created in multiples using repetitive processes to illustrate how the body renews and repairs in order to survive.
About Julie Dodd:
“I graduated from Wirral Metropolitan College with a first class BA honours degree in fine art in 2009. I continued to develop my practice at the same institute on the fellowship program for a further year and I have since been working independently as installation artist, printmaker, altered book artist and bookmaker. These different areas of my practice often cross over becoming one in the same thing.
I work predominantly as a paper installation artist, my artwork is based on repetition and is inspired by pattern and shape found in nature. I feel compelled to work in multiples, which I use to mimic life, growth and regeneration. I get a certain satisfaction from producing installations using intense processes that are repeated to generate numerous duplicates. I use this concentrated method to create an impact on viewing and hopefully motive a positive response.”
Julie Dodd website - www.juliedodd.co.uk
Images of the opening night of Lucy Wilson’s Show at The Bohemia Space.
Photography - http://rogelionarito.com/
Our Final exhibition of the year is a solo show by Lucy Wilson and her show; ‘Nostalgia’ Christmas is.
A collective of motifs and symbols that represent a ‘Nostalgic’ Christmas; whether
it is good or bad. Don’t forget, not everybody has a great Christmas surrounded
by a caring family, not everyone is that lucky. This collection represents the images we relate to in order to celebrate Christmas, however also revealing negative images that make us remember how lucky we are. Join us tonight to celebrate the good times and remember the those who have had bad.
About Lucy Wilson;
By reviving traditional aspects of image making symbolism within nature forms
the soul of Lucy’s work, with dramatic use of symmetry it is versatile and a craft.
Practicing a contemporary style, her work still grasps the nostalgia in tradition.
Lucy’s work is applied to bookmaking, gallery space, wallpaper, ceramics; her work
can be viewed at the Millennium Gallery in Sheffield as a wallpaper. Lucy has also
recently been involved in the Ghosts of Gone Birds Project directed by documentary maker Ceri Levy, producing two paintings and a carousel 3D book for the exhibitions.
Lucy works in media such as watercolour, pigment inks, pencil and paper crafts with a passion for photography, pattern and intricacy. Lucy’s influences in particular are theories and practices from the Pre- Raphaelite period by artists such as John Ruskin.Her love for pattern is measured by the ever astonishing works of William Morris; anartist that many modern artists relate to. Lucy takes each aspect of her work and portrays it classically to a symbolic level, inspired by the poetic and storytelling artworks of this period. Lucy depicts symbolism in every twist and turn of each and every part.
Lucy illustrates and lives in the UK, also running regular bookbinding workshops in an effort to encourage others to make books. Most recently Lucy as worked with Hope Street Hotel, The Bluecoat and Cuthberts Bakehouse in order to showcase her work and organize events, work can currently be viewed at the Hope Street Hotel and Cuthberts Bakehouse too. To view the creations discussed please visit Lucy’s website below where you will find these projects and much more;
www.elizabethsheart.com
KC “Oh shit” (Katie spills her paint brushes and water as she makes touches to her series of works that are going up in The Bohemia Space) KC “Shit…that’s me all over….so clumsily “ ML “So when where your problems on the fine art course?….second year? “ KC “Second year and…third…it was just the way they were, it wasn’t all of them, there was obviously tutors who were open with what you were doing, but I don’t know if you heard when they started getting the new people (students) they wouldn’t allow painters on, because it was too traditional. The course had changed so much from being on Myrtle St. (Painting) is now too traditional, it’s not modern.” Katie explains to me how herself along with two other fellow artists on her course labelled themselves the‘realists’, because they stuck with their craft of painting whilst not conforming to the modern conceptual side of art which the tutors wanted. KC “We were the realists everyone else were the bullshitters, because we where doing what we wanted, after paying so much for the course I felt like I was fighting for what I wanted to do, like I don’t care what it looked like as long as it was something I wanted to do, like who gives a shit to what someone thinks about it, blah blah it doesn’t matter. (Tutors) would say to make it look special why don’t you like put a dolls head on it or something, just things like that, it was always what they were into, what they wanted.”
I tell Katie about my own personal experience I had similar at Uni where tutors would push students to a certain style so get better marks. Myself and Katie where in the same boat during our degrees and wanted to remain true to our art and not to conform to what the tutors wanted for themselves.
KC “I couldn’t wait to graduate, and be done with, but…just to be free. Freedom. The fact that you and I where true to ourselves, because there is nothing better then that……it’s hard to find a tutor that is very fair and excepting of many different things but also to guide people, because I looked at my tutors and thought….you don’t know any better then me. “
ML “It almost seems like your fine art course where pushing conceptual art?”
KC “Yeah, I like a lot of that style of work but I have to say a lot of it looks exactly the same, there was nothing that was different, the tutors really pushed it onto each student and got there teeth into it, and turned them into conceptual artists.”
ML “I don’t think you should ever push a style on a artist they need to find there own way….I remember your degree show two years ago, and your work standing out, one because of scale, and two really unique painting style…how have you found life like since your degree?.”
KC “Really good, I don’t drink as much!!……erm…life is great, I feel completely free I do exactly what I want to do, I feel now my work is so much more true to myself, I feel quite clouded in my head and I cant express in words how I feel. I find it really difficult, to say how I feel… ever. I don’t know how that makes me look, but I take it and do it with my paintings, and I’ll look at my painting and I’ll know exactly, completely that…that was in my head, I just didn’t know how to get it out. When I was in Uni I felt frustrated and angry all the time, about my work and most things it would really drive me crazy, and now I feel so much better doing what I want, and now I know why I do it and I want to be better, and only today matters who knows what I’ll do in the future, it just about, today.”
ML “You can definitely see emotions in your paintings”
KC “My mum says that,…also no-one expects that it’s me that has done these paintings, they find it a bit of a shock.”
ML “Yes I agree, it’s almost like when people meet you Katie they expect you to draw…flowers, birds, very delicate things…but I like that juxtaposition that you have, because your paintings are far from that preconceived ideas that people might have…your paintings have many different aspects from chaotic, demonic, erotic.”
KC “Yeah! definitely….dirty, I like a bit of dirt.”
ML “If you could describe your paintings in one word what would it be? “
KC “Erm….disturbed…I think I’m a bit of a diva, I don’t like to be told what to do, I hate suggestions, because I will defiantly do the opposite…I don’t like compromise it kills the soul and that’s all we‘ve got.”
ML “Yeah, compromising in anything isn’t a good thing, even in relationships…how far do you go.”
KC “Yeah it’s that line and how far do you cross it?…it’s about instinct, and when your in love with somebody, (instinct) seems to go, you forget it…and then your too far in to find that rope to get yourself out…then when you find your rope your got to dig yourself out, cover yourself in plasters then…something else happens all over again…..I keep wearing nice clothes to paint in.”
ML “I always like to look nice when I’m painting, in a sense when your creating something you have bred, and when your giving birth to it (your work) I want to look and feel good, feel presentable, for the right time.”
KC “ Yeah, and if you feel good you do good…I keep having really good days and then really bad ones, it’s crazy because sometimes I’m like Fuck!! and always shouting… it’s hard to focus out of it, I feel really drained after it, and sometimes unable to speak, I’m not sure what’s wrong with me, is that normal?”
ML “Its’ your normal, its’ your artist way…. Like for myself I like the moment of instant that I can have with painting, predominantly my text paintings. It can take me a while to have the idea but a few seconds to execute the painting. I want to keep the idea with me for as long as it wants to stay until it is ready to be born, I have to let it mature or manifest, and then when it feels right then do it, I like the fact that I can get a painting out in a few seconds, then walking away from it, and its’ that satisfaction from walking away and back into ‘normal life‘, and knowing that you have created something new in life, that’s one of the biggest satisfactions I have with painting.”
KC “Yeah I felt very vulnerable when I had the piece up in Mello. (Katie had a large painting up on display for The Bohemia space’s first show Liverpool Art Now Part One, earlier on this year.) I thought that it might of shown too much about certain things in my head, because you see it in your own environment and then to see it on display it is different, because that piece was so personal.”
ML “Most of your paintings about internal dialogue?”
KC “Yeah, secrets… I mean these recent works are about lack of control. Over the past year, everything is about control, I keep doing people tied up or…like one of them is my darkest fear and its’ darkness in water, deep down….like I feel trapped in my own head…I wrote this down; the fear that we have a lack of control, life is inevitable, we’re all going to die. is like in the end we are all heading in the same way, no matter what we do, I mean anything we do is significant, and every day is so crucial, and we only have control of our own actions and anything can happen outside of that.”
ML “It is almost like a ripple effect, because how you feel could be about someone else’s feelings about you, and so on…inevitability is tricky, like more recently I’ve been feeling more awake and open to question how important everything is to the human condition, and how important is it to me, like for myself being born, at a certain time, certain parents and time and place etc… it is almost like you can say it is all by chance, or fate, but also this makes me question someone else who isn’t as lucky as I am and who is only born to die, like poverty in the third world… was their life by chance or fate?”
KC “I think we are very lucky in our society that everyone is allowed to be special, where on the other side of the world, human life isn’t treated as something important.”
ML”Yes I mean I know I am very lucky to be born at this time and place, and I think most minds in the west could label that fate and something that was meant to be, but its gets more tricky to label the third world as their fate, so one must just say oh its’ all by chance. It then becomes confusing, it seems to change…I think that’s why all of my works are about questioning, that’s the overall theme that I run with…. Life doesn’t have to or shouldn’t be that complicated but it is.”
KC “Yeah I can’t watch the news because there is too much shit going on, and I just think oh my god, how can these things happen to other people…there was this one thing that stuck with me, when I was younger I must have been about fourteen, and I saw in the paper, and kept this one article because was so shocked. You know in China how they are only allowed one child and everyone wants a boy, there was just baby girls in the gutter and people just walking past because no one wanted them, like a dead bird but a baby, it was just insane, like over here that would be like the worst thing that could happen, everyone would go mental.”
ML “It always make me think how primitive humankind still is, that we have such a long way to go, ignorance is still very much everywhere, there is still racism, sexism and homophobic people out there.”
KC “Something happened the other day and my friend phoned me up she was crying and she just said, that she couldn’t believe that people are still so racists, I think it was about the London riots, she just didn’t know that people where still so racists, you might not see it but its still just as bad.”
ML “I just can not get my head around why anyone would be interested in someone else’s life, who cares what skin your in, what sex you are or who you love, why all the hate? Get on with your own life stop trying to hate someone else’s.”
KC “I mean get on with your own life just don’t be a wanker, stop trying to control someone else…like religion because I was brought up with religion in school. I went to a catholic school and high school, but my parents are very open minded, like my dad is not into religion at all, so I had these free parents and was sent to this catholic school, and we had stopped going to church which meant in primary school….I remember being in a line and the teacher asking us who went to church this weekend and I hadn’t but I said I went to St Mary’s, and I remember my teacher saying I know you didn’t go there because I know everyone who goes to that church, ’t allowed in choir and I loved singing, and I had to sit on my own for like an hour and a half because I hadn’t gone to church, as a little girl it’s mental You would punish a child because her parents hasn’t taken her to church, and I wasn’t allowed in choir to do peoples weddings, and I was always left out and treated like I was really bad, for me it was a big deal, and made me rebellious and I just hate the fact that someone was telling me that this is something you have to believe in,…if you take anything to the extreme and to be controlling it destroys your own belief…but over the past few years I have grown up and I am more open minded about religion, but back in high school I wouldn’t even answer a question on my RE exam…the force of something, anything will make someone rebel…….. your gonna do what you wanna do.”
Katie Craven’ s solo show Out Of My Hands will be at The Bohemia Space (Mello Mello - 40-42 Slater St) from 17th Sept till the 8th Oct. Mon - Sun 10:00am till Late.
The Bohemia Space is very pleased to announce Liverpool artist Katie Craven’s first ever solo exhibition; Out Of My Hands on display at our gallery space. Katie Craven graduated from LJMU Fine Art course a year ago and since then has exhibited in a number of venues across Liverpool. Most recently she has become a new member of the Red Wire Art Organisation. Katie Craven’s paintings blur the boundaries of abstract and figurative, they are hugely emotional, personal, playful and erotic pieces. Out Of My Hands exhibition see’s a display of brand new paintings and drawings by Katie Craven. The title of the show refers to the psychological issues of being trapped in one’s own emotions, and the innate struggle of the unspeakable. Katie Craven is one of Liverpool
Katie Craven’s Tumblr -
Some more pictures of the exhibition.
Here are some pictures of the Contemporary Drawing exhibition at The Bohemia Space. 23 artists and 70 pieces of work.
Contemporary Drawing, showcases a mixture of all types of drawing from traditional, figurative to abstract and even tape window displays.
Artists exhibiting in our second show include;
Jon Barraclough. http://www.jonbarraclough.co.uk/ Mike Carney. Amee Christian. Katie Craven. http://flameforkatie.tumblr.com/ Hazel Critchley Henry Finny. http://www.artist-henry.blogspot.com/ Topia Gould. http://topiagould.wordpress.com/ Gregory Scott-Gurner. curator@theartorganisation.co.uk Elizabeth Hayden. http://redwireredwire.com/page21.htm Parabhen Lad. parabhenlad@yahoo.co.uk Colette Lilley. Matthew Lloyd. http://www.matthewlloydarts.com/ Benjamin Murphy. http://www.alldestructo.blogspot.com/ Cody Oyama. http://www.wix.com/codyoyama/portfolio Marnie Pitts. Duncan Scammell. Kate Smith. Laura Spark. lauraspark@hotmail.co.uk Sam Stonehouse. http://redwireredwire.com/page12.htm Sophie Todd. http://sophie-alice-todd.blogspot.com/ Kirsty White. Alan Williams. http://www.alan-williams.co.uk/ Lucy Wilson.